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Seminar on New Choral Music 2012 |
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Saturday 5th May
Stack Theatre, CIT Cork School of Music
10am - 12.30pm
Admission free, all welcome
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The Cork International Choral Festival has a long-standing commitment to foster awareness and appreciation of new choral music. With this in mind a seminar was initiated in 1962 as part of the festival programme by the late Aloys Fleischmann, Professor of Music at University College Cork, as being central to this purpose. The Festival presents the 44th edition of the Seminar on New Choral Music as a joint collaboration with The National Chamber Choir of Ireland, our Choir in Residence.
The Seminar on New Choral Music maintains its initial purpose of commissioning new works to provide a platform for, and to encourage the composition and performance of, new choral music in Ireland. In the last few years the Seminar has specifically promoted the commission of new works by Irish composers to develop a wider knowledge and understanding of Irish compositional life. It is of central importance to the festival and the NCC that this seminar is accessible to all and assists in making current practice in the performance of new choral music accessible to the wider choral sector in Ireland. It does so with a view to supporting the inclusion of these commissions and other new music as a part of the regular repertoire of Irish choirs.
This year brings two new works to Cork; Long Time by commissioned composer Gerald Barry and Two Unholy Haikus by the winner of this year’s Seán Ó Riada Competition, Frank Corcoran. The Seán Ó Riada Competition was initiated in 1972 in recognition of the creative life and work of Seán Ó Riada. It is a composition competition which invites the submission of new works from Irish composers in a collaboration between the Cork International Choral Festival and the National Chamber Choir of Ireland. This year the competition captured the imagination of 33 Irish composers and has excited us by the range and quality of entries. We are delighted to welcome both composers to Cork to take part in the Seminar.
Without the financial support of the Arts Council in making the commission of Gerald Barry possible, and of the Ó Riada Family for its generous support of the Seán Ó Riada Competition, this seminar would not be in a position to continue to fulfil its important role in promoting the work of Irish composers and encouraging the composition of new choral music.
John Fitzpatrick
Artistic and Festival Director
For more information on attending the Seminar on New Choral Music, please contact the Cork International Choral Festival office at
This e-mail address is being protected from spambots. You need JavaScript enabled to view it
or on 021 4215125.
Presented in association with the C.I.T Cork School of Music.
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Rhona Clarke
Seminar Chairperson
Rhona Clarke was born in Dublin. She studied music at University College, Dublin, completed a Ph.D at Queen’s University, Belfast. Her output includes choral, chamber, orchestral and electronic works.
She has received commissions from RTÉ, the Cork International Choral Festival, Concorde, Music Network and the National Concert Hall, among others. Her work has been performed and broadcast throughout Ireland and worldwide.
Latest works include con coro for violin, cello and tape commissioned and performed by Concorde in 2011 as part of their Up Close With Music series and also to be performed in Chicago by the Palomar Ensemble. Relic (2011) is collaboration with visual artist Marie Hanlon; this is a non–narrative film with music, based on the landscape of the Burren area in the west of Ireland. This year she has been commissioned by the RTÉ National Symphony Orchestra to write a new orchestral work and by the Society of Recorder Players for a piece for massed players to be performed as part of their 2013 Festival. Rhona is a member of Aosdána, Ireland’s state-sponsored academy of creative artists.
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Gerald Barry
Commissioned Composer 2012
Gerald Barry was born in 1952 and studied with Stockhausen and Kagel. He has written five operas, The Intelligence Park for the London Almeida Festival (performed in London and Dublin – BBC recording on the NMC label), The Triumph of Beauty and Deceit for Channel 4 Television (performed in Aldeburgh, London, Berlin, Amsterdam, Paris, Los Angeles, New York - recorded on the Largo label), The Bitter Tears of Petra von Kant for ENO/RTÉ (performed in Dublin, London, Basel) - recorded on the RTÉ label), La Plus Forte (The Stronger) for Radio France (performed in Paris, Amsterdam, London, Dublin, Toronto, Miami) and The Importance of Being Earnest for The Los Angeles Philharmonic/Barbican London, performed in Los Angeles and London.
2013 will see new stagings of The Triumph of Beauty and Deceit at the Badisches Staatstheater Karlsruhe, The Importance of Being Earnest at Opera de Nancy, a new piano concerto for Musica Viva Munich, and his music will be featured at the Dark Music Days in Reykjavik.
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Frank Corcoran
Seán Ó Riada Composition Competition Winner 2012
Frank Corcoran was born in Tipperary and studied in Dublin, Maynooth, Rome and Berlin (with Boris Blacher), and was the first Irish composer to have his ‘Symphony No. 1’ (1980) premiered in Vienna.
After a period as music inspector for the Department of Education in Ireland from 1971 to 1979, Frank was awarded a composer fellowship by the Berlin Künstlerprogramm in 1980, and a guest professorship in West Berlin in 1981. Since 1983 he has been professor of composition and theory in the Staatliche Hochschule für Musik und darstellende Kunst, Hamburg. During 1989-90 he was visiting professor and Fulbright Scholar at the University of Wisconsin-Milwaukee and a guest lecturer at many other notable American universities.
Awards include Studio Akustische Kunst First Prize 1996 for his ‘Joycepeak Music’ (1995), Premier Prix at the 1999 Bourges International Electro-acoustic Music Competition for his composition ‘Sweeney’s Vision’ (1997) and, more recently, the 2002 Swedish EMS Prize for ‘Quasi Una Missa’ (1999). CDs of his music have been released on the Black Box, Marco Polo, Col-Legno, Wergo, Wergo, Composers’ Art, IMEB-Unesco, Zeitklang and Caprice labels. Frank Corcoran is a founding member of Aosdána, Ireland’s state-sponsored academy of creative artists
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Seminar History and Background
- Seamus de Barra
In 1962, eight years after the Cork International Choral Festival was established, Aloys Fleischmann, Director of the Festival, initiated the Seminar on Contemporary Choral Music. Although its success in promoting the development of choral singing inIrelandwas already generally acknowledged by this time, Fleischmann decided it was now appropriate to extend the scope of the Festival by encouraging also the development of modern choral composition. Accordingly he established a scheme whereby a number of contemporary composers would be commissioned each year to write new·works, which would be premiered in the Festival programme.
Fleischmann was aware, however, that the reception of new music can often be problematical: in his experience, many listeners tended to find the idioms of contemporary music merely puzzling, and reaction was not infrequently one of incomprehension - a situation that was more acute in the 1960s, perhaps, than it is today. It was in order to provide a context, therefore, for the reception of the newly commissioned pieces, that he established the Seminar on Contemporary Choral Music, structured to allow for the presentation of analyses of the new·works, informal performances before the official premiers in the City Hall, and contributions from the composers and the conductors and members of the participating choirs.
Following Fleischmann’s retirement in 1987 as Director of the Festival, the format of the Seminar changed, and after undergoing a number of further transformations, it was temporarily suspended in 2004. In 2008, a revitalized version of the Seminar of Contemporary Choral Music was reintroduced into the Festival’s calendar of events.
Seminar on Contemporary Choral Music Commissions 1984 -
| Archer, Violet |
Reflections |
1984 |
| Bäck, Sven-Erik |
The naming of cats |
1981 |
| Badings, Henk |
Evocations |
1962 |
| Badings, Henk |
Cinq poèmes chinois |
1973 |
| Barra, Séamas de |
Magnificat |
1983 |
| Barra, Séamas de |
Song of Pan |
1989 |
| Barry, Gerald |
The Coming of Winter |
1997 |
| Barry, Gerald |
Long Time |
2012 |
| Bassett, Leslie |
A ring of emeralds |
1979 |
| Beaumont, Adrian |
In paradisum |
1979 |
| Beckerath, Alfred von |
Oratio Sancti Augustini |
1970 |
| Bialas, Günter |
Lamento |
1987 |
| Blacher, Boris |
Anacaona |
1969 |
| Blacher, Boris |
Vokalisen |
1974 |
| Bodley, Seóirse |
Trí aortha |
1963 |
| Bodley, Seóirse |
The radiant moment |
1979 |
| Böhlke, Eric |
Gebet des Franz von Assisi |
1971 |
| Bourgeois, Derek |
A Tail of Two Fishes |
1989 |
| Bose, Hans-Jurgen von |
Four madrigals |
1986 |
| Boydell, Brian |
Come sleep & I loved a lass |
1964 |
| Boydell, Brian |
Mouth music |
1974 |
| Bromhead, Jerome de |
Joy |
1982 |
| Buckley, John |
Scél lem duíb |
1981 |
| Buckley, John |
He Wishes for the Cloths of Heaven |
1996 |
| Burgan, Patrick |
CRY |
2002 |
| Busto, Javier |
Ametsetan |
2003 |
| Byers, David |
Rhymes |
1980 |
| Clarke, Rhona |
Rorate Caeli |
1994 |
| Clarke, Rhona |
The Kiss |
2008 |
| Cleary, Siobhan |
Theophilus Thistle and the Myth of Miss Muffett |
2011 |
| Connolly, Patrick * |
Geimhridh |
2011
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| Corcoran, Frank |
Symphonies for voices |
1975 |
| Corcoran, Frank * |
Two Unholy Haiku's |
2012 |
| Cox, David Harold |
Song of The Paving Stones |
1996 |
| Csemiczky, Miklos |
Two Motets: |
1997 |
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Ave Regina Caelorum |
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Hodie Christus Natus Est |
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| Cruft, Adrian |
Medieval prayer |
1976 |
| Deane, Raymond |
..e mi sovvien l'eterno |
1988 |
| Dickinson, Peter |
Three Carols: |
1998 |
| Dickinson, Peter |
Christmas Is Coming |
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For the Nativity |
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O Christmas Time,O Hateful Time |
| Eaton, John |
Duo |
1977 |
| Eben, Petr |
De circuitu aeterno |
1991 |
| Eben, Petr |
Rhythmus de gaudiis Paradisi |
1996 |
| Farrell, Eibhlís |
Exaudi voces |
1992 |
| Fisher, Alfred |
Kodesh |
1992 |
| Fleischmann, Aloys |
Poet in the suburbs |
1974 |
| Fleischmann, Aloys |
Games |
1990 |
| Forbes, Sebastian |
Seasonal roundelay |
1984 |
| Fritschel, James |
Four about life and death |
1976 |
| Fritschel, James |
Lament of a man for his son |
1980 |
| Gardner, John |
Five philanders |
1975 |
| Gardner, John |
Four part-songs to poems by Robert Herrick |
1992 |
| Geary, Bernard |
The trumpet |
1984 |
| Genzmer, Harald |
Irische Harfe |
1966 |
| Hamel, Peter Michael |
Dona nobis pacem |
1985 |
| Hamilton, Andrew |
Everything is Ridiculous |
2009 |
| Hoddinott, Alun |
Danegeld |
1964 |
| Holmboe, Vagn |
Song at sunset |
1979 |
| Holohan, Michael |
Quis est Deus? |
2002 |
| Howells, Herbert |
The summer is coming |
1965 |
| Iannaccone, Anthony |
A Walt Whitman madrigal |
1985 |
| Ingoldsby, Marian |
Regeneration |
1995 |
| Josephs, Wilfred |
Spring songs |
1981 |
| Joubert, John |
Three portraits |
1983 |
| Kelemen, Milko |
Drei Irischen Volkslieder |
1980 |
| Kelly, Bryan |
Dover Beach |
1995 |
| Killmayer, Wilhelm |
Speranza |
1977 |
| Killmayer, Wilhelm |
Sonntagnachmittagskaffee |
1983 |
| Kinsella, John |
Three children's songs |
1977 |
| Kinsella, John |
Dawn |
1986 |
| Kocsár, Miklós |
Six choruses |
1982 |
| Koszewski, Andrzej |
Pastorale |
1975 |
| Kyllönen, Timo-Juhani |
Innisfree Op. 33 |
1994 |
| Leeuw, Ton de |
The birth of music |
1976 |
| LeFanu, Nicola |
On The Wind-a lament |
1997 |
MacHale, Simon *
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With Heart and Soul and Voice
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2010 |
| Maconchy, Elizabeth |
Nocturnal |
1997 |
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Prayer before birth |
1965 |
| Mäntyjärvi, Jaakko |
Psalm 150 in Kent Treble Bob Minor |
1999 |
| Martin, Philip |
Three Gaelic lyrics |
1972 |
| Martinez, Odaline de la |
Two American Madrigals |
1985 |
| Mathias, William |
A May Magnificat |
1978 |
| Maw, Nicholas |
Five Irish songs |
1973 |
| Mawby, Colin |
In Memoriam Aloys Fleischmann |
1994 |
| Mawby, Colin |
Nonsense for gombeens |
1991 |
| McCabe, John |
Siberia |
1980 |
| McGlynn, Michael |
When the War is Over |
1999 |
| Mellers, Wilfred |
Cloud Canticle |
1971 |
| Mellnäs, Arne |
Spring |
1995 |
| Merkelys, Remigijus |
Kyrie |
1992 |
| Milhaud, Darius |
Traversée |
1962 |
| Mulvey, Gráinne |
Stabat Mater |
2003 |
| Nees, Vic |
Babel |
1998 |
| Ó Riada, Seán |
Ceathramhaintí Éagsamhla |
1962 |
| Ó Súilleabháin, Mícheál |
Maranatha |
2000 |
| O'Regan, Tarik |
The Spring |
2008 |
Panufnik, Roxanna Peeters, Flor |
Two Poems by Wendy When God the Lord |
2010 1963 |
| Potter, Archie |
Ten epigrams |
1969 |
| Purser, John |
Love in season |
1976 |
| Reutter, Hermann |
Tres laudes |
1964 |
| Rubbra, Edmund |
Tenebrae: Third Nocturne |
1962 |
| Rubbra, Edmund |
Three Greek Folk-Songs |
1977 |
| Schürmann, Gerard |
Summer is coming |
1970 |
| Shchedrin, Rodrion |
Concertino |
1984 |
| Searle, Humphrey |
The canticle of the rose |
1966 |
| Simpson, Robert |
Tempi |
1988 |
| Stockmeier, Wolfgang |
Gloria |
1978 |
| Sweeney, Eric |
Gloria |
1973 |
| Sweeney, Eric |
Memorials |
1993 |
| Tanev, Alexander |
Guslar mí gusli |
1978 |
| Tavener, John |
Eonía |
1990 |
| Thomas, Adrian |
Man mai longe lives weene |
1988 |
| Tucapsky, Antonín |
Veni, Sancte Spiritus |
1986 |
| Victory, Gerard |
Quartetto |
1966 |
| Victory, Gerard |
Trois chansons de Verlaine |
1978 |
| Victory, Gerard |
A musical instrument |
1993 |
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Viñao,·Ezequiel
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Beowulf: Scyld's Burial |
2009 |
| Vlad, Roman |
Lettura di Michelangelo |
1966 |
| Vlad, Roman |
Lettura del Magnifico |
1974 |
| Vogt, Hans |
Soldiers |
1972 |
| Walton, William |
Cantico del sole |
1974 |
| Warren, Raymond |
There is a time |
1970 |
| Wellesz, Egon |
Laus nocturna |
1963 |
| Williamson, Malcolm |
Sonnet |
1969 |
| Wilson, Ian |
bluebrighteyes |
2000 |
| Wilson, James |
Xanadu |
1971 |
| Wilson, James |
Keats on Keats |
1993 |
| Zimmermann, Heinz |
Make a joyful noise |
1965 |
| Zuk, Patrick |
An das Angesicht des Herrn Jesu |
1998 |
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| * Seán Ó Riada Composition Competition Winner |
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