The Cork International Choral Festival is proud to host the fifth edition of the International Choral Conducting Course as part of the festival.
Join us for a four-day intensive, hands-on course where you will develop your conducting skills under the leadership of our expert international guest tutors, Jennifer Moir (Canada/Finland) and Jani Sivén (Finland), and with the participation of the acclaimed Chamber Choir Ireland for your final ensemble workshop.
The course is designed for anyone with experience in leading choirs of all kinds and is interested in taking their skills to a new level while networking with other conductors.
Jani Sivén, acclaimed conductor, composer, and pedagogue, has taught choral conducting at the Sibelius Academy since 2015. He has led over 50 choirs and orchestras, including the Finnish Boys’ Choir and Chamber Choir Audite. His compositions include operas and cantatas, earning him prestigious awards for his artistic leadership. Read full bio
Jennifer Moir, Canadian choral artist and educator based in Finland, is a Lecturer in Global Music at Sibelius Academy. With over 20 years’ experience, she specialises in choir leadership, pedagogy, and interdisciplinary collaboration. Her work blends artistry, mentorship, and community engagement, shaping innovative choral practices internationally. Read full bio
Garnering a strong reputation for its unique approach to creative commissioning, recording and programming, Chamber Choir Ireland is the country’s flagship choral ensemble and national chamber choir under the Artistic Direction of Gabriel Crouch. The Choir’s programmes span from early renaissance to the present day, incorporating established choral classics with cutting-edge commissions, and a style of performance that incorporates versatility, dynamism and often vocal pyrotechnics. Read full bio
Clayton Hotel, Cork City
Ensemble Workshop with Chamber Choir Ireland (public event)
A complete list of the repertoire selected by the tutors is published below. If you have other repertoire which you would like to work on, please send a copy to the Choral Festival Office for approval by Monday 9th March 2026. You will be asked to bring to the course multiple legal copies of any repertoire which has been approved in this way.
All delegates should prepare the common piece and at least one other piece for each tutor (four pieces in total) in advance of arriving and be prepared to work on them with the tutors.
The three categories into which the repertoire has been split are intended as a guide only, and delegates can freely choose which music they would prefer to conduct.
*Note: Pieces are categorised in difficulty based on the application of conducting principles that will be worked on throughout the course, not necessarily on the technical difficulty of the work.
Focal Points for Work for the Week:
Anna Füri | Shane Lynch |
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Common piece for all levels: Horváth, Márton Levente: O salutaris hostia | Common Piece for all levels: Verse 3 of “The King of Love” arr. Paul J. Christiansen (1914-1997) |
Level 1 Bartók, Béla: Ne menj el (female choir) Wilbye, John: Flora Gave Me Fairest Flower Hensel, Fanny: Morgengruss, op. 3 no. 4 Brahms, Johannes: Erlaube mir Bruckner, Anton: Locus iste 4/4 | Level 1 “Sleep” by Eric Whitacre (b. 1970) “Earth Song” by Frank Ticheli (b. 1958) “Grace Before Sleep” by Susan LaBarr (b. 1981) |
Level 2 Bridge, Frank: Music, when soft voices die Brahms, Johannes: Im Herbst Bárdos, Lajos: Libera me Orbán, György: Ave verum Schumann, Robert: Waldmädchen Szarbó, Barna: Ye heavy states of night | Level 2 “All That Hath Life and Breath Praise Ye the Lord” by René Clausen (b. 1953) “A Dream Within a Dream” by Tesfa Yohannes Wondemagegnehu (b. 1982) “Oratio Fatimae” by Shane Lynch (b. 1975) “Ubi Caritas” by Maurice Duruflé (1902-1986) |
Level 3 Wolf, Hugo: Resignation Gjeilo, Ola: Unicornis captivatur Elgar, Edward: My Love Dwelt Poulenc, Francis: Timor et tremor Gyöngyösi, Levente: Te lucis ante terminum Kodály, Zoltán: Norwegian girls | Level 3 “Mother’s Song” by Jocelyn Hagen (b. 1980) “Twelfth Night” by Samuel Barber (1910-1981) “O Nata Lux” from “Lux Aeterna” by Morten Laurisden (b. 1943) |
Friday, 6th February 2026
The registration fee must be paid by bank transfer to the Cork International Choral Festival’s account by the registration closing date.
Bank details
Recipient: Cork International Choral Festival
Bank: Allied Irish Banks plc, Patrick’s Street, Cork, Ireland
IBAN: IE85 AIBK 9341 5105 1954 48
BIC: AIBKIE2D
Account Number: 05195448
Sort Code: 93 41 51
NOTE: Please ensure that your name of choir is noted on bank transfer.
Participants booking tickets for our Gala Concerts can avail of a reduction of 15% on all Gala concerts. A discount code will be sent to all participants after registration.
By Plane
Cork International Airport operates flights to and from a wide range of international destinations.
Shannon International Airport (approximately 120km from Cork) and Dublin Airport (approximately 220km) cater for a wider range of destinations, with internal flights also in operation between Dublin and Cork.
By Train
Irish Rail / Iarnród Éireann provide regular mainline Intercity services to Kent Station, Cork from Belfast Central, Dublin Heuston and Connolly Station, Limerick.
By Bus
Bus Éireann offer a nationwide service to and from Cork, with Expressway/Intercity services. They also offer regional services if you plan to see some of the county and a Cork City service to get around town while here.
Each year the Festival compiles an Accommodation Guide with specially negotiated accommodation rates for attendees and visiting choirs.
In addition, we team up with the city’s best restaurants, bars, tourist sights and transport providers so that choirs are offered the best deals in town. View the Food & Drink Trail.
It is a condition of participation that participants agree that:
The process and cost of Visas are the sole responsibility of the participant. The Festival will support a participant through a letter of support on request.